Beginner Landscape Photography Mistake: Framing Too Tightly (and How to Fix It)
- Gary Holpin
- Mar 24
- 4 min read
Recently, while giving a talk about how to take better phone photos, I was reminded of one of the most common beginner mistakes I see — framing too tightly. At the end of the session, a lady proudly showed me a photo of her dog. It was a lovely image, full of character, and I could see why she was pleased with it.
However, after praising it, I gently pointed out one small thing that could have improved it. The dog’s paw was cropped off at the edge of the frame. It’s a tiny detail, but one that immediately draws the eye and makes the image feel a little cramped. It perfectly illustrated a mistake I often see on my landscape photography workshops too — subjects pushed too close to the edges, with no room to breathe.
Why framing too tightly is a problem
When you frame too close, it can make your subject look awkwardly squeezed in or incomplete. It’s an easy habit to develop, especially when you’re keen to fill the frame or focus attention on the main subject. But it often leaves you with less flexibility later on and a composition that feels uncomfortable.
Leave yourself options
A simple way to improve your composition is to frame a bit wider than you think you need to. There are several good reasons for this:
Room for cropping: Shooting wider gives you flexibility to crop later, especially if you’re applying the rule of thirds or removing distractions. You can always crop in afterwards – but you can’t recover what’s been left out.
Allow for distortion correction: If you shoot RAW, you’ll often correct optical distortions in editing. These adjustments can shift or trim parts of your image, so that extra margin in-camera protects key details.
Create balance and breathing space: Most subjects look better with a little surrounding space. It helps draw attention to the main subject and creates a more natural, comfortable feel.
How to frame more widely
Step back: If it’s safe and practical, simply move a little further away from your subject.
Zoom out: With a zoom lens, pull back slightly to widen the field of view.
Use a wider lens: If you have multiple lenses, switch to something wider.
Consider a panorama: For still scenes, such as landscapes, you can shoot a quick horizontal or vertical panorama to pick up extra space.
What about AI?
Modern AI tools can convincingly extend an image, but they shouldn’t be your first resort. Relying on them encourages sloppy framing and removes you from the creative decisions that make photography rewarding. The best solution is still to get it right in camera.
So next time you’re photographing your dog, a friend, or a sweeping Dartmoor vista, take a moment to check the edges of your frame. Step back a little, give your subject some breathing space, and you’ll instantly lift the quality of your composition.
As I’ve said for years: you can always crop in, but you can't crop out – and whilst AI can sometimes add extra content around the edges of your images afterwards, it’s still far easier (and more natural) to get that breathing room in-camera in the first place.
An example
In the top image below, I’ve left a comfortable gap between the tree and the edge of the frame (the tree is actually on the right hand vertical of the rule of thirds), which gives the scene room to breathe and lets your eye wander through the bluebells and into the sky. In the version below, where the tree is touching the edge of the frame, everything suddenly feels a bit cramped and unbalanced, even though it’s the same tree and the same light. It’s a simple example of how tight framing can subtly change the mood of a photo, and why leaving a little extra space in camera usually produces a more relaxed, natural‑looking composition.


Want to take your compositions further?
If you’d like to dive deeper into how to compose stronger, more balanced images — whether with your camera or your phone — I cover all of these principles and more on my 1‑2‑1 and residential photography workshops here in Devon. They’re relaxed, practical sessions designed to help you get the most out of your photography, whatever your experience level.
About Gary Holpin Photography
As a professional photographer based in Devon, my journey began along the stunning South West Coast Path. Disappointed with my initial attempts to capture its beauty, I embarked on a second 630-mile journey, this time dedicated to mastering photography. Today, I'm a nationally acclaimed photographer with award-winning landscape photos.
I specialize in providing top-notch property photography, business photography, and drone photography services to businesses across the South West. Additionally, I offer comprehensive photography training courses tailored for both businesses and individuals. Whether you're looking to enhance your corporate image or improve your personal photography skills, my training programs are designed to help you capture stunning images.
As an award-winning and widely published photographer, I frequently share my passion for photography and Devon through engaging talks at local camera clubs and community groups. My expertise spans the entire South West region, ensuring that clients from Devon, Dorset & Somerset benefit from high-quality photography services and training.




